BA Design Third year. A documentation of my research.
Wednesday, 17 December 2008
The world of compulsive hoarders
http://findarticles.com/p/articles/mi_qa5396/is_200710/ai_n21299538/pg_1?tag=artBody;col1
The documentary interviewed a British man who liked to hoard rubbish. He would go out at night, collect rubbish he was interested in from dustbins. He would also keep his own excrement. This would become a health issue, as he kept some in his kitchen. This was packaged in bottles and bags, one of the health inspectors commented on how he believes the hoarder cared about it considering the way he packaged the stuff.
Whats the difference between a collector and a hoarder?
Collector; has a motive, stores the stuff in an organised manner.
Hoarder; obsessed, extreme, not necessarily happy and proud.
When hoarding its a nightmare to find anything. I want to make a drawer where you can never find anything in the drawer, this often happens when your in a hurry.
For hoarders "things replace people".
Tuesday, 9 December 2008
task
Monday, 8 December 2008
Second mentor session
-how do you order them
-each form of personal ordering varies from person to person
-different forms of ordering, different properties to order in several ways
Who will the end user be?
Behaviours
OCD, autism, different behaviours.
Procratination
different types of objects
Some kind of object designed for someone by end of term.
Clarify why there are objects in order.
Photograph peoples rooms and annotate it.
Why do people feel they need to categorize anything?
Take an area specifically such as books. Move away from ordering.
Become more flexible in the way you think. Reverse ideas.
Relationships with objects and behaviours. Peoples behaviours around objects.
Brain storm
-Objects
-space
-
Sean Hall
-How we create order and disorder
-Taxonomies
Order out of nothing
500 gnomes- abnormal- catches the eye
1 gnome - normal not interesting
A new species- where to categorize them
Order things in kinds- haircuts
Look into- types, kinds, categories.
The way in which we perform ordering on the world.
Disorder- when we can't see a link.
Bottom drawer is in order as it belongs to someone?
How does design come out of it?
I like design for items that catch attention and seem clever.
Putting disorder within order.
E.g. Every garden gnome is the same colour except one, which catches your attention.
Create a pattern, have it observed with disorder.
E.g a chair with a plastic leg is unusual.
-How little elements of disorder on an item grabs attention.
-the unexpected
-not point of order that makes it interesting
Create orderly things and implement disorder on it.
Fooled by order?
Sameness of look
Put images together order and disorder. Throw a spanner in the works.
Look at images repeated in google.
things to do
Peter Marigold
-islamic patterns
-honey bees
-google storage systems
Matt
-preface of the order of things
Rosario
- book
Modelling week Monday
-where disorganisation happens
-sameness
-doesn't want to be thrown away
-trapped
-regulation
-storage systems
-private space
-Behaviours
-Anti design
-stuff
-the mind
-peoples behaviours around objects
-archiving
Peter Marigold tutorial:
Items falling down back of drawer, imagining what object is holding the drawer back from closing properly.
Ways of regulating mess.
Private space;
-Someones mind
-revealing someones behaviour
-Google storage systems
Geometry
-Islamic patterns- building imperfection in designs
-Honey bees- if a bee lets a shape of honey go wrong the bee is killed.
Modelling week Peter Marigold
rejection of ostentatious and wasteful ornamentation reveals a new direction that is refreshingly free of pretence.
explore ideas rather than ‘come up’ with ideas.
During this time I have learned to think more with my head than with doodles in my sketchbook.
The world that I live in is chaotic and densely populated by junk, both collected things and simple rubbish. It’s not a perfect place but it is consistent. Like wise, English homes are usually consistent in their shared irregularities – pokey architectural spaces, weird under-hangs, and unusable corners. I was interested in how a piece of furniture might adapt to and therefore reflect our acceptance of living with these innate problems.
altering behavioural patterns
I began chopping up the geometry of simple fruit boxes, learning how the ratios between top, bottom and sliced side worked best in terms of versatility of the overall dimensions and physical behaviour. I then progressed to larger units that also incorporated crate making materials and elements – such as cheap shuttering plywood and cut out handles. I was interested in how the dual identities of the units – as shelves, and as boxes – could suggest a feeling of temporary existence (as well as adapting to the different spaces, the units can be used as packing crates when moving house).
why should we (people who make things) be attempting to imitate such processes at the initial stages of product development?
(Quotes from design museum interview with Peter Marigold)
Presentation
"British design has the ability to carry design baggage and not start from scratch"
"The nature of design, what happens when things go wrong"
"Order is chaos"
"The world is order, part of humanity"
"Breaking a drawer back down into its raw material"
"Imagining that inside objects there are other objects"
"Finding unexpected order"
"Chopping up geometry to see what happens"
"Turning a table into a leaf- turning things inside out"
Tuesday, 2 December 2008
Eternally Yours Time In Design
Monday, 1 December 2008
My project is to do with order, I want to identify an area within this
topic to create a contextual report from. I am currently unsure about what
this is. I have been reading books such as "sorting things out,
classification and its consequences" by Geoffrey C. Bowker and Susan Leigh
Star. "Eternally yours time in design" by Ed Van Hinte. "Joseph Cornell
vision of spiritual order" by Lindsay Blair. These books have been
inspiring and influencial. I have also been reading "The order of things"
by Michel Foucault, but found it very mundane and didn't get much from it.
I am interested in our ordering of objects. Rationalising our lives by
categorising everything, us as humans can be unrational. How order feels
like we have control in our lives. I am interested in how objects
correspond to the user/owner and technologies impact on our behavior. It
is all quite unclear still and confusing. I think order is a strong area
to study, I am just unsure about which element to start with.
I have some key words;
Categorising, Labels, Objects, Person, Space, Home, Profession, Material,
Storage, Sorting, Hoarding, Cluttering, OCD, Rigidity, Perception,
Archiving, Structure, patterns,Infrastructure, technology, visibility,
standards, disorder, privacy, habits,the self.
Sunday, 30 November 2008
OCD
Joseph Cornell' vision of spiritual order
the order of things, Michel Foucaut
Saturday, 29 November 2008
Bernd and Hilla Becher
Friday, 28 November 2008
Different forms of order; wikipedia
* "Order is a decoration. Order of the thistle. Order of Garter (above).An object, such as a medal, that is awarded to honor the recipient ostentatiously. Modern orders are usually open to all citizens of a particular country, regardless of status, sex, race or creed. Once awarded, an order may be revoked if the individual dies, commits a crime, or renounces citizenship. Rarely, a dissident becomes awarded, and due to personal beliefs refuses to accept it. Honor".
* "Chivalric orders are orders of knights that were created by European monarchs in imitation of the military orders of the Crusades. After the crusades, the memory of these crusading military orders became idealised and romanticised, resulting in the late medieval notion of chivalry, and is reflected in the Arthurian romances of the time".
*"A "fraternal organization" or "fraternity," is a brotherhood, though the term usually connotes a distinct or formal organization".
There is a lot of categories concerning this type of ordering. I will look into at a later stage, this is related to what I have already been looking at.
The aspect of order that i am most interested in is ordering items, not dictating order.
*"Metamodeling, or meta-modeling, is the analysis, construction and development of the frames, rules, constraints, models and theories applicable and useful for modeling a predefined class of problems".
*"Data synchronization is the process of establishing consistency among data on remote sources and the continuous harmonization of the data over time".
* "In computing, a canonical order is the order of elements that obeys a certain set of rules or specifications".
* "A classical order is one of the ancient styles of building design in the classical tradition, distinguished by their proportions and their characteristic profiles and details, but most quickly recognizable by the type of column and capital employed".
This encourages me to think about Bernd and Hilla Becher who photographed buildings that appear mundane, are slightly different and ordering them. Except that the design is not considered.
"Predominantly instrumental in character, who's shapers are the result of calculation and who's processes of development are optically evident. They are generally buildings where anonymity is accepted to be the style. Their peculiarities originate not inspite of, but because of the lack of design"
Anonyme Skulpturen, Becher.
*"In urban planning, the notion of "public order" refers to a city containing relatively empty (and orderly) spaces which allow for flexibility in redesigning the city's layout; such perceptions played an important role in the establishments of suburbs. According to this point of view, the traditional notion of a "downtown" is often seen as disorderly".
It is interesting that because there is an unused space it has a necessity to be filled, I don't see why, is it our greed that encourages us?
"It has been suggested that cultural affinity is a means to find protection from the perceived disorder of the rest of the city".
*" David Bohm proposed a cosmological order radically different from generally accepted conventions, which he expressed as a distinction between the implicate and explicate order, described in the book Wholeness and the Implicate Order:
- In the enfolded [or implicate] order, space and time are no longer the dominant factors determining the relationships of dependence or independence of different elements. Rather, an entirely different sort of basic connection of elements is possible, from which our ordinary notions of space and time, along with those of separately existent material particles, are abstracted as forms derived from the deeper order. These ordinary notions in fact appear in what is called the "explicate" or "unfolded" order, which is a special and distinguished form contained within the general totality of all the implicate orders (Bohm, 1980, p. xv)".
sorting things out
Quotes that I find interesting.
“Materials that constrain and enable biological researchers. Rats, petri dishes, taxidermy, planaria, drosophila, and test tubes take center stage in this narrative”.
“Many classifications appear as nothing more than lists of numbers with labels attached, buried in software menus, user’s manuals , or other references”.
“In the built world we inhabit, thousands and thousands of standards are used everywhere, from setting up the plumbing in a house, to assembling a car engine to transferring a file from one computer to another”.
“There are standards for paper size, the distance between lines in lined paper, envelope size, the glue on the envelope, the size of stamps, their glue, the ink in a pen, the sharpness of its bib, the composition of the paper and so forth”.
INFRASTRUCTURE
“Embeddedness; Infrastructure is sunk into, inside of, other structures, social arrangements and technologies”
“Transparency; Infrastructure is transparent to use in the sense that it does not have to be reinvented each time or assembled for each task, but invisibly supports those tasks”.
“Links with conventions of practice. Infrastructure both shapes and is shaped by the conventions of a community of practice; for example; the ways that cycles of day-night work are affected by affect electrical power night rates and needs”.
“Built on an installed basis”
“Becomes visible upon breakdown. The normally invisible quality of working infrastructure becomes visible when it breaks: the server is down, the bridge washes out, there is a power blackout. Even when there are backup mechanisms or procedures, their existence further highlights the now visible infrastructure”.
notes
conversing with Isolda
old post it list
Tuesday, 25 November 2008
ORDER
Collation is the assembly of written information into a standard order. This is commonly called alphabetisation, though collation is not limited to ordering letters of the alphabet. Collating lists of words or names into alphabetical order is the basis of most office filing systems, library catalogs and reference books.
Collation differs from classification in that classification is concerned with arranging information into logical categories, while collation is concerned with the ordering of those categories.
Advantages of sorted lists include:
- one can easily find the first n elements (e.g. the 5 smallest countries) and the last n elements (e.g. the 3 largest countries)
- one can easily find the elements in a given range (e.g. countries with an area between .. and .. square km)
- one can easily search for an element, and conclude whether it is in the list, e.g. with the binary search algorithm or interpolation search either automatically, or, roughly and perhaps unconsciously, manually.
A collation algorithm, e.g. the "Unicode collation algorithm", differs from a sorting algorithm: the first is a process to define the order, which corresponds to the process of just comparing two values, while a sorting algorithm is a procedure to put a list of items in this order.
Collation defines a total preorder on the set of possible items, typically by defining a total order on a sortkey. Note however that in the case of e.g. numerical sorting of strings representing numbers, the strings are only partially preordered, because e.g. 2e3 and 2000 have the same ranking, and 2 and 2.0 also. The numbers represented by the strings are totally ordered.
Gabrielle Roth
Wednesday, 19 November 2008
First mentor session
Tuesday, 18 November 2008
Mapping my project
Bruce Mau
4. Love your experiments (as you would an ugly child).Joy is the engine of growth. Exploit the liberty in casting your work as beautiful experiments, iterations, attempts, trials, and errors. Take the long view and allow yourself the fun of failure every day.
6. Capture accidents.The wrong answer is the right answer in search of a different question. Collect wrong answers as part of the process. Ask different questions.
7. Drift.Allow yourself to wander aimlessly. Explore adjacencies. Lack judgment. Postpone criticism.
8. Begin anywhere.John Cage tells us that not knowing where to begin is a common form of paralysis. His advice: begin anywhere.
11. Harvest ideas.Edit applications. Ideas need a dynamic, fluid, generous environment to sustain life. Applications, on the other hand, benefit from critical rigor. Produce a high ratio of ideas to applications.
17. ____________________.Intentionally left blank. Allow space for the ideas you haven’t had yet, and for the ideas of others.
19. Work the metaphor.Every object has the capacity to stand for something other than what is apparent. Work on what it stands for.
20. Be careful to take risks.Time is genetic. Today is the child of yesterday and the parent of tomorrow. The work you produce today will create your future.
22.Make your own tools.
Hybridize your tools in order to build unique things. Even simple tools that are your own can yield entirely new avenues of exploration. Remember, tools amplify our capacities, so even a small tool can make a big difference.
27. Read only left-hand pages.
28. Make new words.Expand the lexicon. The new conditions demand a new way of thinking. The thinking demands new forms of expression. The expression generates new conditions.
29. Think with your mind.Forget technology. Creativity is not device-dependent.
32. Listen carefully.
Every collaborator who enters our orbit brings with him or her a world more strange and complex than any we could ever hope to imagine. By listening to the details and the subtlety of their needs, desires, or ambitions, we fold their world onto our own. Neither party will ever be the same.
37. Break it, stretch it, bend it, crush it, crack it, fold it.
38. Explore the other edge.Great liberty exists when we avoid trying to run with the technological pack. We can’t find the leading edge because it’s trampled underfoot. Try using old-tech equipment made obsolete by an economic cycle but still rich with potential.
Monday, 17 November 2008
contextual report
Jayne Wallace
Jayne invokes the intensely intimate human-relational context of jewellery to meaningfully interrogate a
Her work seeks to unpick
Sunday, 16 November 2008
Tuesday, 11 November 2008
Lisa Gornick
This week we are involved in a joint project. The task is to design a new super hero. We are in groups, we have particular tasks to meet within this project. I think I will benefit in realising how much work you can get out of one day.
I went to a viewing of Lisa Gornicks latest film; Tick Tock Lullaby. I thoroughly enjoyed the film. Gornicks inspiration were her short dialogues and diary of her current concerns. She is very interested in discussion and wanted to portray this in her film. The film was shot on a small handy cam and the cast worked for free.
Gornicks previous film; Do I love you? has won a number of awards from international LGBT festivals.
Gornick works as an actress, she prefered film to theatre so she went to film school and started producing films.
I am interested in discussion and how we talk about things. I like how the film was like a snippit of REAL LIFE. There was a slight restriction on keeping it constructive as a story. But it felt much like real life, where it is almost like a stream of consciousness. People don't or can't be as constructive as they would like in life concerning personal life. I am intrigued how film changes the way you look at things. Gornicks perception of the story is probably not exactly the same as she sees on film.
I enjoyed the writing and drawing in the film, it is very simple and clear. It is quite personal.
Wednesday, 5 November 2008
Kirsty Minns
When it was a four year course, Kirsty worked for Fashion magazines; Pop and Dazes & Confused. Then she worked for The Jam.
Her final project was designed against perfection. Deviation from the norm in objects. Normality in humans and objects.
After graduation she went to New York, where she worked for Boym partners (http://www.boym.com/) . It is a varied office where she worked on their cutlery project involving mismatching cutlery.
Then returned and worked for London Tag.
Kirsty applied for a position as studio assistant at Established and sons, but she ended up being offered a temporary position instead. She worked on graphics for a while which involved mucking in on everything. The company was quite small at the time. As it has grown she has become a stronger part of the team. She works in product development. It is the dream job. She works with all the designers the company collaborate with to make the product viable. From structure, components, form, prototyping, developing materials. She works in solid works often. She had little experience of it, but bigged it up a bit. Currently she has to develop ten different projects at once.
Use skills and experience that shes acquired to start on own projects. Now collaborating with James Cuddy to work on a project.
Kirsty's advice:
Be competitive, market yourself, design industry is very small so network, network, network!! Be prepared to work your way up. Based on relationships with people. Be active, be aware of what is happening in society. Attention to detail, people always notice the worst instead of the good. Make self useful and muck in. However long you stay acquire lots and lots of experience.
In production development you learn so much, by working with designers and manufacturers. You will have a lot to offer other companies. Materials and different designers. It is an unusual and exceptional experience.
Goldsmiths sets you up to turn your hand to challenges and risks.
Keep freelancing going. Build up relationships with manufacturers.
I would like to visit the Duke Street St James studio holding the exhibition about the design art debate.
Future systems design agency
Territories
After an unsuccessful tutorial it was followed by a presentation this week, I returned to the drawing board and opted for the Take a chance brief. The below is the presentation which took place yesterday.
I was curious about the artificial because of the way we live our lives questioning its sincerity. Realising how we are becoming artificial and how we organise nature within the urban environment.
The artificial is such a broad spectrum, I re approached it by choosing another brief.
Take a chance, The process of randomness interested me because it could be a great way of encouraging my making skills and to use various mediums. It is also a great area for encouraging creativity. By brainstorming randomness I discovered plenty relations, such as religion, artificial, probability, science etc.
John Cage was a composer and fluxus artist. Fluxus artist encourages "a do it yourself aesthetic and valued simplicity over complexity". Fluxus prefered to work in whatever materials were at hand . So this made me think of my flippant and impatient attitude towards, for example, fixing something instead of using a screw driver i might use a blunt knife. Or when I need a ruler, use anything straight at hand.
John Cages philosophy was about " the multiplicity of simultaneous visual and audible events all going together in ones experience and producing enjoyment".
Marcel Duchamp was influenced my fluxus artists;
"Part of the reason that Duchamp's objects were fascinating while Picasso's voice is fading is that the Duchamp pieces are truly between media, sculpture and something else, whilst Picasso is readily classifiable as a painted ornament".
Randomness in material caught my attention. Such as wear and tear, in some way glamorising or bringing to light things we take for granted.
Randomly on purpose, There is an argument as to how people use or perceive the word random. The top item you may say is random or weird, Cause why would you bother doing that? Something not seen before or often. Whereas chewing gum is common sadly, maybe the shape is random , but there is nothing nice about it. Doodling or writing into furniture is also common and done with intention, boredom or a desire. This lead me to think about how its quite nice for documenting memories.
I thought about how accidents, such as is someone was to stain a new carpet with wine would it matter if it happened again ad again. I am often spilling drinks on my parents rug in the living room. What if I designed a tea table that invites mugs to stain the table or any other form of random affect. It creates a history, forms a bespoke piece that's would personally be comforting, as it would remind me of certain things that happened over time. "The lived in look". Instead of an untouchable table from Harrods or an Ikea piece. A stained table would hold more value for me personally, memories of social situations. So random accidents could be positive such as making them into art, or using that formation to apply to a piece of design.
I am curious about random marks . But I think the most interesting are random shapes and patterns that are natural, such as freckles and moles. I read that "the density of freckles that appear on the skin is controlled by genes and exposure to light, whereas the exact location of individual freckles seem to be random". Changing subjects slightly I discussed with a psychology student how randomness could be a form of therapy. For example, for someone with OCD, an encouragement of imperfection.
Continuing with the idea of natural randomness, I wonder whether for the most part nature can be random and the man-made is just intentional. I think randomness in nature is positive. These items are unpredictable in their pattern and shape and also quite therapeutic to look at. Nature is quite fascinating to watch, it creates a sensation nothing else can live up to.
My motive would be to encourage nature and oppose our artificial future as it impacts and destroys the beauty of nature. So I would like to create natural design, to fit within a natural environment.
Dreams; Changing direction completely, dreams would also be an interesting avenue. I have had dreams where I remember things such as to go to the Tate Modern for a meeting overnight. Or how to fix a tyre.. properly.
Repetitive dreams; I don't understand why I have had the same type of dream through my life. I have created places in my mind that don't exist. I would like to make these dreams physical. But because this has been a last minute idea, it isn't researched and investigated as well as I would have liked. However random dreams could be another territory. How do you make a dream physical? I have also dreamed about people I haven't spoken to and know their character in my dream but not in real life. Sporadic thoughts could be a good design tool.
Feedback
"Randomness juxtaposed with something like order, balance, pattern, rules"
"Don't use the word random to describe something"
"A definition will come through activities, explaining what relativity it has to design"
"Refine the general definition of random"
"A clearer definition"
"How it can be harnessed and played within randomization"
"Identify what randomness is to you"
"Carry on..."
Continue to use your drawing.
Task: A week on Tuesday at your mentoring session.
Design and make a map of your territory. A well conceived map to be seen in your show. Condensing everything into one format. It will need most of the aspects of a map, such as a key. Doesn't have to be 3d 2d whatever, use a map as a metaphorical word. Narrow it down to what it is.
On reflection I would like to start drawing and brainstorming again, to confirm my territory to feel submerged and confident with where my project lies.